Chapter 2.3

Laser Cleaning of Paintings – Principles and Case Studies

 

Vassilis Zafiropulos

Department of Human Nutrition and Dietetics, Technological Educational Institute (TEI) of Crete, Sitia, Greece

and

Institute of Electronic Structure & Laser, FORTH, Heraklion, Greece

 

Contents

2.3.1     Introduction

2.3.2     Optimization of Laser Parameters: General Considerations 

2.3.3     Ablation Efficiency Studies

2.3.4     Light Transmission Studies

2.3.5     Chemical Alteration of the Substrate

2.3.6     Laser Divestment of Aged Resin Layers from Paintings

2.3.7     Er:YAG Laser in the Removal of Surface Layers

2.3.8     Conclusion

2.3.9     References
2.3.10   Contact Information

 

2.3.1          Introduction

Among other laser cleaning applications, pulsed lasers have also been used for the removal of surface encrustations from marble sculptures and stonework [1-7] or aged varnish from paintings [8-14]. The successful implementation of these techniques has been based on the close collaboration of conservators with laser scientists for defining the optimum process end point. Extensive literature on laser-based conservation techniques exists in LACONA Conference proceedings [15-18].

Cleaning of artworks and antiquities by lasers provides the opportunity for the selective removal of undesired surface layers. In principle, it is possible to leave the original delicate surface or substrate entirely unaffected. For the on-line monitoring and in situ control of laser cleaning the LIBS (Laser Induced Breakdown Spectroscopy) technique has been proved to be a valuable tool [4-6, 11, 19-21] (see also Chapter 4.2).

In Chapter 2.1 the presentation of laser divestment applications has been based on the nature of the layer to be removed. Here in Chapter 2.3, we consider the complex polymeric substrates where mainly UV lasers of nanosecond or picosecond pulse duration are necessary. Such materials include oxidized resins - with or without inorganic inclusions - that have been used as protective layers on top of precious painted substrates. More complicated situations may be encountered when the delicate substrate has been covered with a number of overpaint layers. In such cases, the organic binding medium is usually oil (e.g. linseed oil) that has polymerized with time. In contrast to inorganic encrustation/surfaces, where laser divestment mechanisms are characterized by the self-limiting character of the ablation process, polymerized layers are usually difficult to treat without processing a detailed know-how and experience.

Here we will try to provide an overview of the critical factors playing an important role in the successful laser cleaning of aged resins. Chapter 2.3 has been divided into six more sections starting with some general concerns related to the optimization of laser parameters. Next a review of recent studies on ablation efficiency, light transmission and chemical alterations is presented. The reader may find next some test case studies of laser cleaning applications on painted surfaces. Finally, some conclusive remarks are presented.

2.3.2          Optimization of Laser Parameters: General Considerations

The ablation of polymers by short UV laser pulses has been studied due to the plethora of technological applications [22-24]. A comprehensive review of the subject can be found in the books of Bäuerle [25] and Luk’yanchuk [26].

Let us review first some important findings in the laser ablation of polymers, which resemble the laser ablation of aged resins. In the UV laser ablation of polymers, the ablation products typically consist of small fragments (atoms, small molecules and their ions) and medium sized fragments, such as monomers as well as large portions of them [27-29]. These fragments are created by the breaking of covalent bonds by direct photodissociation or thermal decomposition. Photochemical and photothermal ablation could be considered as limiting cases of the photophysical mechanism, where the removal of electronically excited species from the surface is taken into account [30-33].

The photochemical modifications induced by UV laser ablation of doped PMMA films was investigated by Georgiou et al. (1998) [10] and Athanassiou et al. (2000) [34], in simulating the ablation processes in natural resins. However, we should mention that polymerized materials found in paintings are rather complex. For example aged polymerized resins may consist of hundreds of different organic molecules irregularly cross-linked in a 3D network. There are also different salts in the form of clusters, crystals or particulates embedded into the polymeric network. Recent studies [13,35,36] have revealed the presence of a gradient in polymerization and oxidation across the film thickness giving an additional complexity to the ablation process (see insert).

Here an attempt will be made to draw the basic guidelines for choosing the proper laser parameters for safe laser ablation of unwanted surface layers without affecting the underlying, usually valuable, substrate. First we make the assumption that the adequate laser wavelength for the ablation of these materials is in the UV up to the limiting laser wavelength λL = 248 nm (photon energy of 5 eV) or in some cases 266 nm. At these UV laser wavelengths the optical penetration depth equals lα= α-1 << dp < dtot where α is the linear absorption coefficient and dp is the thickness of the polymerized surface layer to be removed, while dtot is the total thickness of the resin. A typical cross-sectional structure of the painting is shown in Fig. 2.3.1. The above condition assures the safety of the substrate (pigment / paint) that is under the remaining resin. For highly polymerized natural resins lα is of the order of 0.1 µm for λL = 193 nm and 1 µm for λL = 248 nm, while dtot is usually 10-100 µm.

For the pulse duration, we assume the use of the easily available nanosecond lasers without ignoring the ultrashort UV pulse lasers, which are not yet handy for mass applications. Another point that must be clearly noted here is the usual choice of the KrF laser over the ArF excimer laser. Although the 193 nm photons offer a better result than the 248 nm photons owing to the much lower lα of the former, the overall efficiency of ArF excimer laser is an order of magnitude lower than the efficiency of KrF excimer laser systems. This is owing to both the commercially available power levels and the much lower ablation rates of the former. Therefore, from the application point of view we concentrate on λL = 248 nm with the proviso that for more delicate interventions the choice will be a shorter wavelength.

Apart from the wavelength and the pulse duration of the laser, the most important parameter is the laser energy density or fluence. According to the special requirements of the specific applications, it is of major interest to quantify the transmission of laser light through the resin layer as a function of incident fluence. Aged varnish usually consists of unidentified complex polymerized material with random inorganic inclusions. An experimental methodology has been developed for deriving the optimal/best fluence for each particular application. Three different approaches have been considered: ablation efficiency studies, light transmission studies, and chemical alteration studies.

2.3.3       Ablation Efficiency Studies

Common problems encountered in painting conservation have to do with ageing associated with polymer phase formation, oxidation, cross-linking and photochemical degradation of the varnish layer, accumulation of various kinds of pollutants on the surface that can be further polymerized and cross-linked to the resin, or even over-paints on the original painting that must be removed. Removal of these surface layers must be accomplished in such a way that the integrity of the original work is guaranteed.

Laser cleaning is based on the removal of a well-defined surface layer under fully controlled conditions. In the case of homogeneous resin layers, e.g. considering constant physical-chemical properties in the top layers of the aged varnish, the ablation rate is constant for the surface layer to be processed provided that the laser fluence is kept constant. Therefore, a step-by-step scanning of the laser beam over the surface results in a layer removal of controlled thickness (see Fig. 2.3.1). It has been found that, when processing the deep resin layers (depths > dp), the ablation rate changes, resembling that of fresh (non-aged) resin [35].

Characteristic ablation rate curves as a function of laser fluence obtained from model and real samples using the KrF excimer laser (emitting at 248 nm, pulse duration of 25 ns) are shown in Fig. 2.3.2a.

The four representative polymerized materials presented here are two types of artificially aged varnish (dammar and gum lac), a multi-layer polymerized linseed oil-based over-painting and a black polyurethane paint film. In short, artificially aged resin films may be made [13] by applying the film on a quartz plate via spin-coating and then by exposing the sample to UV radiation and elevated temperature. The end point of the exposure is reached when the absorbance stabilizes. The way ablation rate measurements are made, as well as the dependence of ablation rate on laser wavelength and pulse duration are described elsewhere (e.g. see [35,37]) and are outside the scope of this presentation. The data in Fig. 2.3.2a show the mean removed depth per laser pulse as a function of laser energy fluence in units of J/cm2. It can be seen that the resolution attained by the KrF excimer laser can be as high as 0.1 µm per pulse, which is simply impossible using other mechanical or chemical techniques. Fig. 2.3.2a also demonstrates the attainable control of varnish removal. It is possible to completely adjust the depth of each layer removal by choosing the laser fluence and/or the number of pulses. The abscissa has intentionally a logarithmic scale to demonstrate the linear response of ablation rate to the logarithm of the laser energy fluence, at low fluence values excluding the so called Arrhenius tail [25,27]. For every polymerized material this linearity is always strictly localized within a narrow range of laser fluence.

The ablation efficiency curves (Fig. 2.3.2b) provide the optimum laser fluence for processing the material. Here the word ‘optimum’ refers to the fluence where the ablation becomes most efficient, and it should not be confused with the fluence corresponding to the highest step-resolution (i.e. just above the ablation threshold). In the next section it is shown that at optimum fluence the transmission becomes minimal. The efficiency is a quite significant parameter in cases where large surfaces or thick varnish layers are encountered, and therefore, the goal is to remove the maximum possible volume of material per available photon (units Å3/photon). The data presented in Fig. 2.3.2b indicate for instance, that the optimum laser fluence for the ablation of the particular samples of artificially aged dammar and gum lac is 0.3 and 0.2 J/cm2 respectively, while for the specific polymerized overpaint it is about 0.6 J/cm2. Another important observation in Fig. 2.3.2b is the similar behaviour of experimental trends. As the energy fluence increases, the efficiency rises until it reaches a maximum. This maximum corresponds to the point where saturation is reached in the bond breakage within the first layers of the surface and/or where the screening effect starts to occur (part of the laser pulse is absorbed and/or scattered by the generated photofragments). This may be supported by the onset of plume generation at fluence values at or just above the optimal fluence. At this optimum laser fluence, the excited chromophores [38] - light absorbing sites within the 3D macromolecular lattice of the polymerized phase - have reached a maximum density. For even higher fluence values, the efficiency drops. Especially in the case of the artificially aged varnishes as we further increase the energy fluence and above a certain value (0.9 and 0.35 J/cm2 for dammar and gum lac, respectively), the ablation efficiency starts to increase for a second time. This phenomenon may be attributed to the fact that, for such laser fluence values the energy is sufficient for additional loss of material through vaporization. At this fluence range photomechanical effects, for example thermoelastic stresses and shock wave formation, may also be important during laser ablation. Their direct contribution in laser ablation becomes significant when the ablated polymerized material includes inorganic particulates (e.g. overpaintings) and/or when there is delamination that can lead to detachment/ejection of flakes. In such cases a large percentage of the material leaves the surface as small particles or flakes. When removing uncontaminated not-fragile aged varnish though, the shock wave produced seems to have a negligible effect especially when working near the optimum laser fluence. Of course, this applies to the contribution of the photomechanical effects in the removal process itself. The possible long-term consequence of the shock wave is a different issue that is currently under investigation (e.g. see the work by Tornari et al. [39]).

Another phenomenon that cannot be overlooked is the so called incubation. The word ‘incubation’ is fluently used in laser ablation terminology and it stands for the effect of the laser on the surface following the elapse of the laser pulse. The incubation generally results in non-stable ablation rates for the first laser pulse or pulses interacting with a surface. In general, incubation phenomena are very important especially for fluence values near the ablation threshold [25]. Although a detailed analysis is essential to study the effects occurring in this low energy regime, it finally turns out that in the applications under consideration the optimal/best fluence is well above the ablation threshold, where incubation was found to be negligible.

Here it is worthwhile to present some results obtained using ultrashort laser pulses. Figure 2.3.3 shows the ablation rate and efficiency data of artificially aged dammar resin (same as in Fig. 2.3.2) using laser pulses of 500 fs duration and λL = 248 nm. The nanosecond data is also plotted in the same graph for comparison. The maximum ablation efficiency for both pulse durations is reached at about the same laser fluence (~0.3 J/cm2). For this particular resin and for the encountered low degree of polymer formation (5-7 monomers) it seems that the ablation rate depends on laser fluence and not flux. One of the many different reasons for such a behaviour may be the long relaxation times of the excited sites/bonds of the low polymer complexes in the particular material.

Finally, for a highly polymerized naturally aged varnish the situation is expected to be different. In such a case the sub-nanosecond data has been found to be clearly different compared to the nanosecond data. Fig. 2.3.4 shows the results for three different pulse durations (500 fs, 5 ps and 25 ns) at λL = 248 nm obtained from an unknown highly polymerized varnish, which has undergone a natural aging of more than 60 years. Here the corresponding relaxation times must be of the order of picoseconds owing to the dense polymer network. Such short relaxation times have been measured in polymers [25,26]. As a result, it is expected that the operative mechanisms are non-thermal when a sub-picosecond UV laser pulse interacts with a well polymerized material such as a naturally aged resin. This may be seen at SEM images of the same resin used to acquire the data of Fig. 2.3.4, after laser ablation using the three different pulse durations.

Fig. 2.3.5a shows the SEM image of the reference surface, while Figs. 2.3.5b-d show the resin after removal of ~1 µm film thickness with pulses of different durations (500 fs, 5 ps, and 25 ns) at λL = 248 nm. The laser ablation was carried out under scanning mode operation with overlapping laser spots. The white particles in the images are salts mainly containing Ca and Na, usually present in the natural resins (also see section 2.3.6). The surface left after using nanosecond pulses has a very smooth texture, like a surface which has undergone melting (Fig. 2.3.5d). Additionally, the inorganic particles have also undergone a melting-freezing transformation, resulting in the sharp peaks seen in Fig. 2.3.5d. On the other hand, the surface of the resin and the morphology of the inorganic particles remain as in the reference after ablation by sub-picosecond or picosecond pulses (Figs. 2.3.5b and c, respectively). This is the main advantage of short UV laser pulses, in addition to the higher resolution compared with the nanosecond pulses. In contrast, the nanosecond UV laser has been proved to be much more efficient and in addition, it is easily available; therefore it is the best choice for ‘regular laser interventions’, where the ~1 µm order of magnitude resolution in depth-step is adequate.

2.3.4       Light Transmission Studies

During the laser ablation of polymerized resins part of the laser light may be transmitted through the resin, finally reaching the underlying substrate. Therefore, quantification of the optical penetration depth is significant. The goal here is to measure the transmitted photon energy and find the optimal laser parameters for minimizing the transmitted light.

The methodology presented here permits the measurement of the transmission of laser photons through model resin samples on quartz. A similar study on polymers, e.g. polyimide, has been reported by Pettit et al. [40]. During laser ablation, the energy of laser light penetrating the sample is measured for each successive laser shot. This provides the energy of UV transmitted light as a function of depth.

If the intensity of the laser beam that irradiates the surface of the film is I0, the intensity of the transmitted light is Itrans and the intensity of the dissipated light (in ablation, reflection, scattering etc) is I1, the measured absorbance, A, of the remaining resin film is given by:

,                                                                                                                (1)

where α is the effective linear absorption coefficient and d the film thickness left after every laser pulse. Here for simplicity we assume that α is constant over the film thickness, although this is not quite true in aged resins [13,35,36]. Eq. (1) results in:

,                                                                                                         (2)

According to Eq. (2) the results may be plotted as log(Itrans/I0) versus d. Such a graph is presented in Fig. 2.3.6 for an artificially aged mastic film prepared on a quartz plate. For this, the laser beam is appropriately shaped and directed on the sample. A sensitive energy meter measures the energy of transmitted light for each consecutive laser pulse. For each laser fluence value used, a series of laser pulses were fired until the whole mastic film was removed. The d values are calculated using the mean ablation rate data and the total film thickness. The light reflected by the surface is taken into account by normalizing the Itrans measurements, comparing them with the transmission after the total removal of the film. The slope of the graph represents the effective absorption coefficient for the laser light. This graph provides the following information:

— The total energy density of transmitted light. This can be calculated if we know the initial film thickness, the fluence and ablation rate, and the number of laser pulses fired. Knowledge of the total transmitted energy density is crucial when the substrate is sensitive to the laser light.

— The optimal laser fluence can be identified, where ‘optimal’ in this case is defined in terms of least transmitted light at a certain d value. Although here ‘optimal’ is defined differently than in section 2.3.3, it turns out that the two different definitions give the same value as it is shown below.

Here it is interesting to compare the transmission data with the ablation efficiency data obtained from the same samples. Figs. 2.3.7a and b show the results of ablation rate and ablation efficiency studies, respectively, of the same aged mastic sample as in Fig. 2.3.6. The six different fluence values that were used in obtaining the transmission data presented in Fig. 2.3.6 are marked in Fig. 2.3.7b for comparison. At the low fluence of 0.2 J/cm2 just above the ablation threshold the transmission of laser light is rather high. For slightly higher fluence values we observe a sharp drop of the transmission, reaching a minimum at a fluence, which corresponds to the highest ablation efficiency. For higher fluence values the transmission curves tend to coincide, possibly owing to plume absorption and screening. Fig. 2.3.7c shows the transmission as a function of fluence when the remaining mastic resin is 3 µm. A comparison between Figs. 2.3.7b and c shows that the optimum fluence defined in terms of transmission coincides with the optimum fluence defined in terms of efficiency. This has been found to be a general rule for a series of different polymerized resins [35]. The results are in general in accordance with the three-level chromophore model of Pettit et al. [40].

The implications of these observations are essential for the safe use of UV-pulsed lasers in the removal of superficial resin layers from paintings or from other delicate substrates. It is also important to note that in such applications the approach cannot be empirical and certainly cannot be the same as in the removal of inorganic encrustation. In the latter case the end user starts from low fluence values progressively increasing the energy density until a “cleaning threshold” is reached. In the case of polymerized resins, however, such an approach could endanger photosensitive substrates.

2.3.5       Chemical Alteration of the Substrate

Most known pigments used in paintings consist of inorganic salts mixed in a binding medium, usually linseed oil or egg tempera. On top of the pigments, a resin layer has usually been applied, mainly for protecting the pigments from the accumulation of dirt. It has been found [41] that resins also protect pigments from the ambient UV light that induces free radical formation and subsequent oxidation reactions both in the resin and in the binding medium. At the same time most salts are sensitive to direct laser irradiation undergoing chemical and/or phase transformation [42-44]. As described in the next section, the top layers of the aged resin must be removed from the surface of the pigment. During laser-assisted divestment, the transmitted light may lead to long-term deterioration of the original surface of the painting. To address the issue, laser ablation was combined with Gas Chromatography coupled with Mass Spectroscopy (GC-MS) analysis. The goal was to detect possible oxidation products induced by laser radiation [12].

The process of degradation of the linseed oil medium under oxidation conditions involves a simultaneous polymerization and de-polymerization reaction. In general, unsaturated fatty carbon chains undergo various oxidation reactions resulting in unstable peroxides. These finally result in conjugated products, of up to nine carbon atoms. At the same time, 3D cross-linking occurs as a basic consequence of the presence of radicals. ‘Oxidative cleavage’ (bond breakage accompanied with oxidation) and production of low molecular weight volatile products as the end-result of the possible oxidation processes, is routinely investigated by gas chromatography [45]. After trans-esterification of all possible glyceryl esters with hydrochloric methanol, a mixture of lower molecular weight methyl esters of all present fatty acids is produced and analyzed. Such a gas chromatogram e.g. from an aged linseed oil medium reveals that:

— long unsaturated fatty chains (e.g. oleate) are decreased due to oxidation,

— saturated fatty chains are basically unchanged and

— a number of oxidation products, such as dimethyl esters of azelaic (nonadioic) acid are formed.

The quantities of esterified fatty acid residues such as methyl palmitate (C16:0), stearate (C18:0), oleate (C18:1), as well as monomethyl and dimethyl azelate (C9) have been previously used as a measure of various oxidative routes in oils [45]. Here the two numbers correspond to the number of C atoms and the number of double bonds, respectively. Oleate is slowly oxidized (decrease in concentration), while azelate is produced as an oxidation product, thus enabling an evaluation of the aging process. Therefore, low C18:1/C18:0 or C18:1/C16:0 and high C9/C16:0 or C9/C18:0 ratios suggest a strongly oxidized medium.

Based on the above, model samples of cinnabar pigment in linseed oil covered with dammar varnish (~20 µm thickness) were made and artificially aged using a UV lamp and elevated temperature. Then for each sample a predetermined thickness of varnish was removed by choosing the value of laser fluence (KrF excimer) based on the ablation curves of dammar (see Fig. 2.3.2). Note that the same dammar samples were used to obtain the ablation rate data and the GC-MS data. Finally, the ensemble {pigment, oil medium, remaining varnish} of each sample was analyzed by GC-MS (for details see [12]).

In general, the results show no increase of oxidation products when at least a thin varnish layer is left over the pigment and at the same time the optimum laser fluence is used. On the other hand, when a high laser fluence is used the oxidation products increase. In more detail, Fig. 2.3.8 presents the C18:1/C16:0 and C9/C18:0 ratios of the GC-MS peaks for different values of removed resin layer. Based on the results described in the previous sections, the optimal fluence for the ablation of the particular aged dammar layer is 0.3 J/cm2, while a fluence of 0.8 J/cm2 may be considered rather high for this specific resin/sample (see Fig. 2.3.2b). Figures 2.3.8a and b correspond to the results using these two values of energy fluence, respectively. Figure 2.3.8a shows that there is no evidence of any oxidation change compared to the reference sample, even when the remaining varnish layer is only 2 µm thick. On the contrary, when using a laser fluence of 0.8 J/cm2 the concentration of the oleic component which is sensitive to oxidation (C18:1) is decreased as the thickness of the removed layer increases (see Fig. 2.3.8b). At the same time the concentration of the C9 oxidation product increases - the exception to the last point may be due to the further oxidation of C9 to lower molecular weight products. Therefore, it is concluded that the chemical alteration of the binding medium can be avoided when using the optimal/best laser fluence that is found to be different for each resin and its polymerization parameters. At the same time a portion of the resin must be left for “filtering out” the transmitted light. An additional reason for letting a portion of the varnish on top of the pigment is the following: It has been recently proven [35] that owing to the existing gradient in resin degradation [13], the lowest resin layers (the ones next to the pigment) have a chemical structure almost identical to the unaged resin. This is due to the lack of oxygen and ambient UV-photons in these ‘deep layers’.

The combination of several analytical techniques has been used to characterize and quantify the chemical and physical effects induced by KrF excimer laser cleaning of tempera paint systems [44]. An understanding of the effects of the UV laser radiation reaching the paint layers is necessary in order to define the consequences that could result from the total removal of a protective varnish or over-paint layer in a worst case scenario of laser cleaning. The direct interaction of the laser at high fluence can result in irreversible unwanted changes, although these effects are constrained to the surface of the sample and are strongly dependent on the nature and chemical characteristics of the paint. It was found that organic tempera paint systems are very stable under intense laser treatment. In contrast, direct laser irradiation of inorganic paint systems induces various types and degrees of alterations in the properties of both the pigment and the binding medium, which are not a mere addition of effects on individual components in the mixture. The observed discoloration could be due to a modification of the chemical composition of the pigment through a change in its state of oxidation or due to a change in the pigment crystalline phase. On the other hand, the ablation of organic material from the substrate leads to the formation of a thin layer of charred material that covers the original paint surface. This layer is not produced in the absence of the inorganic pigment in the paint, indicating that pigment particles mediate the charring through an energy-transfer mechanism. Clearly, the actual paint/pigment composition will determine which of the two effects, change of pigment chemical composition or charring of the outermost paint layer, is dominant. Finally, it was found that modifications induced by laser irradiation at laser fluence values below the ablation threshold in both organic and inorganic paint systems were consistently less severe or undetectable. In conclusion, the results obtained by Castillejo et al. [44] further confirm the adequate strategy for laser cleaning consisting of a controlled partial removal of the outermost varnish layer, leaving a protective coating that prevents discoloration or other chemically harmful effects.

2.3.6          Laser Divestment of Aged Resin From Paintings

The application of varnish layers plays a significant role in protecting painted surfaces. During aging, the varnish degrades through oxidation, auto-oxidation, and cross-linking processes, catalyzed by the absorption of light [46,47]. In particular, the absorption of UV light leads to the formation of products playing a significant role in the polymer phase formation (cross-linking). For aged natural resins it has been found [13,36,48] that certain optical properties related to polymerization and/or oxidation (e.g. UV or IR absorption, concentration of carbonyls etc.) are scalar with depth from the surface. This is owing to the exponential decrease of ambient light as it propagates into the resin. Note that UV light catalyzes the formation of radicals and therefore the polymerization processes. The gradient of oxidation into the film is directly related to an equivalent gradient of the solubility throughout the thickness of varnish layer [36,48]. Consequently, the deeper one goes into the varnish layer the more dilute the solution (of the appropriate chemical agent/solvent) required to remove the remaining layer. As a general rule, the required concentration drops by a factor of two when going from the surface to a depth of about 8-10 µm.

Due to preservation reasons the artwork must be relieved of the degraded varnish that can affect the inner layers [49]. Chemical cleaning is a complicated procedure that employs the action of organic solvents potentially able to initiate a process of swelling and leaching of the film [50]. The outcome may be a significant alteration of the constitution of the image layers of paintings. It has been found that laser-assisted removal of the top varnish layers (~8-10 µm) is not only very helpful but also unique, since it cannot be matched by any other cleaning method [51]. Moreover, it offers the choice of either leaving the rest of the resin intact (preserving the “touch of time”) [11,35] or further removing it, using less aggressive and toxic solvents than in a regular chemical treatment [11,35,36].

The laser-assisted removal of the outermost aged varnish layers must be performed at the optimal fluence, as described in the previous sections. When working on real paintings, it is not trivial how to determine the optimal fluence. The only established methodology [20] is to go through an ablation rate/efficiency study using a small part of the aged varnish (typically at the edge of the painting) for generating the ablation spots. An area of 5 x 50 mm2 is enough, where a number (usually 7-10) of ablation spots are created, using a different fluence value for each. Depending on the roughness of the surface and the varnish thickness, each ablated spot should practically have a depth of the order of 5-10 µm in order to be measured with minimal error and, at the same time, not to penetrate into the deep varnish layers where the resin is basically unaged (see insert). Profilometry is applied across the Gausian direction of the rectangular spot and its integrated area is divided by the spot size along the same direction. This methodology provides the mean ablation rate across the whole beam profile. The procedure is repeated for at least three parallel directions spanning the top-hat direction of the excimer beam and a final mean ablation depth is derived, which is in turn divided by the number of laser pulses fired. In this way the mean ablation rate is obtained. All ablation rated presented in this chapter are mean ablation rates measured following the methodology described above. Finally, the ablation efficiency is calculated from the mean ablation rate. A description of such measurements is given elsewhere [35,37]. A second methodology for obtaining the optimal fluence, which is still under investigation, is based on the onset of plume generation. Plume starts to appear at fluence values near or just above the optimal fluence.

The plume observation has also been associated with the well known monitoring technique, LIBS, or Laser Induced Breakdown Spectroscopy, being a micro-destructive technique. Here, however, the usually observed plume emission during laser ablation is a useful byproduct that has been used for on-line controlling the exact depth advancement. [4-6,11,19,20,52]. During laser ablation the emission produced is characteristic of the composition of the ablated material. In most cases, the layer composition changes in a predicted way as the material removal advances towards the final step/depth, and it is exactly this spectrum alteration that can be used to guide and control the laser ablation process. There are a number of interesting examples of the use of laser ablation methods described in the literature. The aim of the following paragraphs is not to provide a literature review but rather to highlight some interesting applications on different materials.

For automatic control during the laser cleaning process, the light emission spectra are continuously recorded in a pre-selected spectral region. The data acquisition processor is programmed to calculate certain peak intensity ratios that are then used as inputs in an algorithm, which produces an output value after each laser shot. When this value falls outside certain boundaries, the laser stops firing and the motorized x-y-stage moves the painting or the laser beam to a new position where the cleaning process starts again. At this new position, laser pulses are delivered until the output value moves again out of the chosen confines. The distance that the sample or beam is moved in every step is determined by an overlapping protocol for the sequential sample movement in both the x and y directions. A schematic of the experimental setup is given in Fig. 2.3.9.

Besides the plum analysis methodology described above, it has been recently found that the detection of the plum intensity can be used as well to monitor the endpoint of laser ablation [53]. The methodology is based on an automated closed-loop laser cleaning where a reference value of plume signal being necessary for comparison of the required and actual signal must be defined by the operator. This can be found either based on restorers experience or by a teaching procedure on test samples. During the laser cleaning process the plume signal of each laser pulse is compared with the reference signal. Laser removal continues until the reference signal is reached. In a next step, the x-y control moves the sample to a new position.

At this point it is worthwhile presenting another piece of evidence for the existing scalar properties in the resin, which has been used for on-line control during the laser-assisted removal of aged varnish. Apart from polymer phase formation [35], there is also natural oxidation [46] which has taken place especially at the outer layers [35]. In the case of a single resin layer, the elemental composition throughout a cross-section of the layer does not change with aging. This fact could be prohibitive in using LIBS as a monitoring technique, since LIBS is in general an atomic analytical method (see Chapter 4.2). However, in LIBS experiments that were performed on naturally aged resin samples we found that there is a change in the spectrum of the produced plume - as the varnish removal progresses towards the lower varnish layers - originating from produced excited dimers. Fig. 2.3.10 shows a typical series of LIBS spectra observed when successive laser pulses ablate aged varnish.

The four spectra correspond to the 2nd, 3rd, 4th, and 5th pulse respectively. A comparison of the four spectra reveals the gradual decrease of the CO B1Σ-A1Π bands (Ångström bands) and the simultaneous increase and then stabilization of the two most intense C2 A3Πg-X’3Πu (Swan bands). The CO bands originate from the carbonyl groups (products of oxidation, e.g. see [35,46]) whose density is expected to be higher in the outer varnish layers than the inner ones. This is verified by observing the micro-FTIR spectra (reflection mode) of the surface after each consecutive laser pulse.

Figure 2.3.11 shows a representative FTIR spectrum [54]. The ratio of the peak attributed to carbonyl groups (1650-1730 cm-1, marked as A) versus the characteristic C-H bending of methyl and methylene groups (1400-1470 cm-1, marked as B) was found to decrease after each laser shot (see small graph enclosed in Fig. 2.3.11). This is in accordance with the LIBS observations shown in Fig. 10. In this particular varnish system, the limiting value of A/B was found to be 1.4 ± 0.1.

Here we will present a few test case studies to demonstrate the correct application of laser-assisted outermost-layer removal in real paintings. The research has been carried out in collaboration with Michael Doulgeridis, director of the Conservation Department of the National Gallery of Athens, who has provided the paintings and offered his guidance from the conservator’s point of view. The first example was an 18th century Flemish tempera painting on a wooden panel of size 27 x 37 cm². It suffered from an unsuccessful restoration some decades ago, and the varnish that was used to protect the painting had undergone severe polymerization and was consequently hard as glass. The optimal fluence was found to be 0.38 J/cm2 with an ablation rate of 0.25 µm/pulse (λL = 248 nm, 25 ns pulse duration). The final fluence used was 0.42 J/cm2 while LIBS on-line control was employed as described above with the mean thickness of removed varnish being 9 µm. Fig. 2.3.12a shows an initial stage of processing where a small area (left, towards the bottom) has been laser-cleaned, while in Fig. 2.3.12b the two thirds of the painting (top) have been additionally processed. At the very bottom of Fig. 2.3.12b and just below the small initially laser-cleaned area, we can also see two small vertical zones that have been cleaned by the chief restorer using a mixture of solvents, for comparison. The complete exposure of the pigments in the latter case can be compared with the delicate outer-layer, laser-assisted, removal. Fig. 2.3.12c presents the interface between the original surface of the oxidized resin (top) and the uncovered layer of the less oxidized resin (bottom). Fig. 2.3.12d shows the final result after completion of the laser processing and the subsequent removal of the exposed soft varnish using a mild solvent [51].

The second example is a 19th century oil painting of size 49 cm x 77 cm that has been severely damaged by an inhomogeneous layer of lime mortar over the surface of the aged varnish (Fig. 2.3.13a].

The varnish was only a few microns thick (~7 µm) and evenly spread over the original pigment. Any attempt to remove the lime particles and/or the aged varnish using the traditional technique of a cotton swab wet by the appropriate solvent would have been catastrophic, owing to the transformation of the cotton/particles system into a form of sandpaper. The strategy of KrF excimer laser-assisted divestment in this case was to ablate the outermost aged resin layers resulting in the ejection of lime particles together with the resin photofragments. In this particular case, a fluence value of 0.30 J/cm2 (slightly below the optimal fluence of 0.33 J/cm2) was used in order to minimize the etching step. The thickness of removed varnish was ~2 µm with the synchronous removal of the superficial lime particles. The final result of the restoration [51] is presented in Fig. 2.3.13b.

In the case of evenly applied resins, we can detect evidence of the gradient of polymerization with depth, in terms of crack formation. Figure 2.3.14 shows part of a tempera icon painting covered with an unknown varnish aged over a period of more than 100 years. A KrF excimer laser (fluence 0.54 J/cm2) has been used to remove the resin at ten different zones. The zones are indicated by increasing numbers that represent an increased removal of varnish [36]. In zones 1-5 the increase of depth-step is 3.3 µm, i.e. zone 1 corresponds to 3.3 µm depth from the original surface, while zone 5 corresponds to 16.5 µm. In zones 6-10 the depth-step intervals are larger, with a maximum depth of 82 µm at zone 10, where the varnish remaining is ~20 µm. The observed cracks in the resin are due to the stiffness of the aged resin near the surface. The gradual decrease of cracks going from zone 1 to 10 is owing to the polymer phase gradient as a function of depth from the surface. The more material that is removed the fresher the remaining resin is and therefore the less cracks are revealed. In this case, the end user can choose the endpoint according to the desired appearance and/or solubility of the remaining varnish.

Multispectral imaging techniques may provide a powerful tool for optimizing the divestment process and achieving a homogeneous cleaning result. A specialized detection system appropriate for spectral imaging in the region of 0.35-1.6 µm has been developed [55] and integrated together with user-friendly software in a single unit. It has been used to quantitatively monitor the cleaning of paintings.

A characteristic test case example of the use of the multi-spectral imaging camera is shown in Fig. 2.3.15. The 18th century oil painting on canvas (a French duke, M. Doulgeridis’ collection) was subjected to KrF excimer laser cleaning. The painting had suffered loss of paint at many points of the surface. A restoration was attempted some decades ago without first removing the old varnish and dirt. On the contrary, in order to cover the poor workmanship, a stiff after drying varnish had been applied. In an attempt to remove this new varnish, the restorers met great difficulties since it had formed a rigid and resistant layer. For a proper removal of this resin using traditional chemical means, the application of chemicals had to be prolonged, while the results were of questionable quality. On the other hand, the laser cleaned region presented several advantages:

— The surface appearance was excellent.

— In the undamaged areas where there was no previous restoration, a thin clean layer of the old varnish was left.

— In the sections where the defective restoration had been attempted, the new varnish was removed down to the original damaged layers, therefore, with good retouching results.

— The use of hazardous strong solvents, both for the restorer and the artwork, was avoided.

— The whole process was totally controllable with the use of the multi-spectral camera and the fact that the laser parameters chosen allowed for a 0.5 µm layer removal for each laser scan over the surface.

Fig. 2.3.15a shows a visible image (14 x 10 cm²) in the forehead eye brow region cleaned by laser, while Fig. 2.3.15b shows a 20% expansion of this visible image. Fig. 2.3.15c shows the UV fluorescence image from the same region as in Fig. 2.3.15b, but here the distinct marks of the originally damaged areas are enhanced. For the laser cleaning, though, the main part of the process concentrated on the top resin layers. Therefore, the UV reflectance image (Fig. 2.3.15d) is very helpful in displaying the homogeneity of the remaining resin after the partial removal of the top resin layers. The latter image presented at a pseudo-colour display (Fig. 2.3.15e) helps to locate the over-cleaned areas, which appear red in colour.

2.3.7       Er:YAG Laser in the Removal of Surface Layers

Up to now we referred to laser ablation in terms of UV short (several nanoseconds or shorter) laser pulses that are able to photodissociate the covalent bonds of a polymeric matrix and remove molecular fragments from the surface. This dry process allows for a high depth resolution, i.e. in the order of sub micrometers, owing to the strong absorption of UV radiation by polymeric matrixes. An alternative cleaning methodology that also relies on the strong absorption of laser radiation by the surface layers, primarily those containing OH bonds, is using the Er:YAG laser. The Er:YAG laser emits a train of pulses at 2.94 μm. The duration of each pulse is of the order of 1-2 μs, while the whole train has duration of about 250 μs. The 2.94 μm wavelength is strongly absorbed by water, alcohols and other OH containing molecules that are present or sprayed onto the surface prior laser cleaning. The ablation mechanisms operating at this wavelength are considerably different to each other: direct mostly electronic excitation followed by dissociation for the former; explosive vaporization of the OH containing molecules followed by parallel ejection of the contaminant species, for the latter [14,56]. Another important difference between the two processes is that the former is a clearly dry method, while the latter usually requires the application of a liquid. Apart from the possible advantages and disadvantages of the one methodology over the other, wetting may prove to be a crucial consideration factor when choosing which method to use in various conservation problems.

Here let us consider more closely the energy deposition and thermal diffusion phases in Er:YAG laser cleaning. The pattern of energy deposition in material depends on absorption and scattering. Both of these vary in each material type with wavelength, and together they define the limit for minimizing the volume of energy deposition and the succeeding thermal diffusion. In Er:YAG laser process at 2.94 μm, the important absorber as mentioned above is the OH bond in water or other molecules applied on the surface. Its absorption and scattering properties determine the pattern of energy deposition [57]. Pure water has an absorption peak at 2.94 μrn and an absorption coefficient of 104 cm-1, corresponding to an absorption length of 1 μm [14]. At this wavelength, and for the absorption depths in question, scattering is insignificant. Thus, the pattern of energy deposition is determined by the distribution of molecules containing OH bonds.

The removal of superficial layers and at the same time the minimization of thermal damage to adjacent layers is limited by the material absorption characteristics, the thermal conductivity, and the time for the heat diffusion in the surface layers. The input energy needed for the phase change from water to steam without appreciable thermal diffusion into adjacent materials, is reached only when the pulse length is shorter than the thermal relaxation time [14]. For the specific pulse duration of the Er:YAG laser the thermal relaxation criterion is essentially satisfied. Accordingly, an efficient ablation with the least surrounding thermal damage could be expected to be approached by a pulsed Er:YAG laser. With an exposure duration of 1-2 μs (each pulse in the train), the absorbed energy available for heating will be essentially confined almost entirely in the volume where it is absorbed (in the top few micrometers) long enough to heat and vaporize just the desired portion of the material. This is in reality the case when the OH containing liquid homogeneously penetrates into the surface layers. On the contrary, if this does not happen (e.g. owing to absence of cracks, not absorbing or hydrophobic surface, vaporization by previous pulses etc), it is possible that the heated volume is much larger than a few microns.

Testing and evaluation of Er:YAG laser cleaning [58] revealed different results depending on the type of painted surface. Working on laboratory models, some drawbacks were noticed, probably due to the incomplete drying of some organic materials. Generally, the results were much better when working on old paintings. It was found that Er:YAG laser cleaning can be considered effective, selective and safe when used at proper fluence levels, which are fixed for each category of surface material. Another important parameter was found to be the wetting of the surface with an OH containing liquid, usually a dilution of alcohols or glycols. No significant chemical change in the surface materials was observed during testing. Finally, it was realized that a 'combined method' (laser exposure followed by solvent or scalpel cleaning) facilitates the removal of hard and resistant overpaints and old varnishes due to physical transformations induced by laser. The Er:YAG laser pulses cause the ablation of a portion of the top-layer components and disaggregate the remaining part, which can then be easily treated using mechanical tools and mild solvents. Er:YAG laser systems for the cleaning of painted surfaces, incorporating articulated arms for laser beam manipulation are commercially available nowadays, and easy to use.

2.3.8       Conclusions

It has been shown that using a short-pulse UV laser or a long pulse Er:YAG laser it is possible to divest delicate substrates such as paintings or composite structures from polymeric layers (e.g. network of polymerized resin or polymeric paints, respectively) when bearing in mind the following fundamental canons:

— The first layer over the delicate substrate – usually a layer of a few micrometers – must be always left intact, acting as a light filter for the transmitted photons. In addition, this layer has been found to be chemically unaged.

— The optimal laser parameters such as laser energy flux must be found for succeeding the minimal transmission of laser light towards the substrate. To this end, the shortest available UV-laser wavelength is preferable both in terms of short optical penetration depth and in terms of high resolution of the ablation depth.

— On-line and/or in situ monitoring/control techniques must be used for identifying the end point of the intervention. Such techniques include Laser Induced Breakdown Spectroscopy (LIBS) and multispectral imaging.

2.3.9          References

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[2]         Watkins K. G., Larson J. H., Emmony D. C., Steen W. M., Laser cleaning in art restoration: a review. in Proceedings of the NATO Advanced Study Institute on Laser Processing: Surface Treatment and Film Deposition. 1995: Kluwer Academic Publishers. p. 907

[3]         Cooper, M., Cleaning in Conservation: an Introduction. 1998, Oxford: Butterworth Heinemann.

[4]         Maravelaki P.V., Zafiropulos V., Kylikoglou V., Kalaitzaki M., Fotakis C., Laser Induced Breakdown Spectroscopy as a Diagnostic Technique for the Laser Cleaning of Marble. Spectrochimica Acta B, 1997. 52: 41.

[5]         Maravelaki-Kalaitzaki, P., V. Zafiropulos, and C. Fotakis, excimer laser cleaning of encrustation on Pentelic Marble: procedure and evaluation of the effects. Appl. Surface Sci., 1999. 148: 92.

[6]         Gobernado-Mitre I., Prieto A.C., Zafiropulos V., Spetsidou Y., Fotakis C., On-line monitoring of laser cleaning of limestone by laser induced breakdown spectroscopy. Appl. Spectrosc., 1997. 51: 1125.

[7]         Klein S., Stratoudaki T., Marakis Y., Zafiropulos V., Dickmann K., Comparative study of different wavelengths from IR to UV applied to clean sandstone. Appl. Surface Sci., 2000. 157: 1.

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[9]         Fotakis C., Zafiropulos V., Anglos D., Georgiou S., Maravelaki P. V., Fostiridou A., Doulgeridis M., Lasers in art conservation. The Interface between Science and Conservation, 1997 (S. Bradley Ed., The Trustees of the British Museum): p. 83.

[10]      Georgiou S., Zafiropulos V., Anglos D., Balas C., Tornari V., Fotakis C., Excimer laser restoration of painted artworks: Procedures, Mechanisms and Effects. Appl. Surface Sci., 1998. 127-129: 738.

[11]      Zafiropulos, V. and C. Fotakis, Laser in Conservation: an Introduction, Chapter 6: Lasers in the Conservation of painted Artworks. 1998, Oxford: M. Cooper Ed., Butterworth Heineman. P. 79.

[12]      Zafiropulos V., Galyfianali A., Boyatzis S., Fostiridou A., Ioakimoglou E., UV-laser Ablation of Polymerized Resin Layers and Possible Oxidation Process in Oil-based painting media. Optics and Lasers in Biomedicine and Culture - Series of the International Society on Optics within Life Sciences, ed. G.v. Bally. Vol. V. 2000, Berlin: Springer-Verlag. p. 115.

[13]      Zafiropulos V., Manousaki A., Kaminari A., and Boyatzis S., Laser Ablation of aged resin layers: A means of uncovering the scalar degree of aging. in ROMOPTO 2000: Sixth Conference on Optics, V. I. Vlad Ed., SPIE Proceedings 4430, 2001. Washington. p. 181

[14]      De Cruz, A., M.L. Wolbarsht, and S.A. Hauger, Laser removal of contaminants from painted surfaces. J. Cult. Heritage, 2000. 1: p. s173.

[15]      König, E. and Kautek W. Eds., Restauratorenblätter, Sonderband – Lacona I, Proceedings of the First International Conference LACONA I - Lasers in the Conservation of Artworks. 1995, 4-6 October. Heraklion, Crete, Greece: Verlag Mayer & Comp., Vienna.

[16]      Salimbeni, R. and G. Bonsanti. Eds., Proceedings of the International Conference LACONA III - Lasers in the Conservation of Artworks. 1999, April 26-29. Florence: J. Cult. Heritage.

[17]      Verges-Belmin, V. Ed., Lasers in the Conservation of Artworks IV. in Proceedings of the International Conference LACONA IV. 2003: J. Cult. Heritage.

[18]      Dickmann, K., Fotakis C., and Asmus J.F. Eds., Lasers in the Conservation of Artworks - LACONA V Proceedings. in Springer Proceedings in Physics. September 15-18, 2003. Osnabrueck, Germany: Springer-Verlag.

[19]      Klein S., Stratoudaki T., Zafiropulos V., Hildenhagen J., Dickmann K., Lehmkuhl T., Laser-induced breakdown spectroscopy for on-line control of laser cleaning of sandstone and stained glass. Appl. Phys. A, 1999. 69: p. 441.

[20]      Zafiropulos, V., Chapter 8: Laser ablation in cleaning of artworks. In Laser Cleaning, ed. B. Luk'yanchuk. 2002, Singapore, New Jersey, London, Hong Kong: World Scientific. p. 343.

[21]      Scholten J.H., Teule J.M., Zafiropulos V., Heeren R.M.A., Controlled Laser cleaning of painted artworks using accurate beam manipulation and on-line LIBS-detection. J. Cult. Heritage, 2000. 1: p. s215

[22]      Fogarassy, E. and Lazare S.. Laser ablation of electronic materials. - Basic mechanisms and applications. in Proc. European Materials Research Society Monographs. 1992. Amsterdam: North-Holland Elsevier.

[23]      Dyer, P.E., Photochemical Processing of Electronic Materials. 1992, London: Academic.

[24]      Miller, J.C., Laser Ablation - Principles and Applications. Springer Ser. in Materials Science 28. 1994, Berlin: Springer-Verlag.

[25]      Bäuerle, D., Laser Processing and Chemistry. 2000, Berlin, Heidelberg: Springer.

[26]      Luk'yanchuk, B., Laser Cleaning. 2002, Singapore, New Jersey, London, Hong Kong: World Scientific.

[27]      Srinivasan, R. and Braren B., Ultraviolet Laser ablation of organic polymers. Chem. Rev., 1989. 89: 1303.

[28]      Srinivasan, R., Ablation of polyimide (kapton) films by pulsed (ns) ultraviolet and infrared (9.17 µm) lasers; a comparative study. Appl. Phys. A, 1993. 56: 417.

[29]      Srinivasan, R., Interaction of laser radiation with organic polymers. In Laser Ablation, 1994. Springer Ser. Mat. Sci. 28 (J.C. Miller Ed., Springer): p. 107.

[30]      Luk'yanchuk B., Bityurin N., Anisimov S., and Bäuerle D., The role of excited species in UV-laser materials ablation; Part I: Photophysical ablation of organic polymers. Appl. Phys. A, 1993. 57: 367.

[31]      Luk'yanchuk B., Bityurin N., Anisimov S., and Bäuerle D., The role of excited species in UV-laser materials ablation; Part II: The stability of the ablation front. Appl. Phys. A, 1993. 57: 449.

[32]      Luk'yanchuk B., Bityurin N., Anisimov S., and Bäuerle D., Photophysical ablation of organic polymers. Excimer Lasers, 1994 (L.D. Laude Ed., NATO ASI Ser. E).

[33]      Luk'yanchuk B., Bityurin N., Anisimov S., Arnold N., and Bäuerle D., The role of excited species in ultraviolet-laser materials ablation; III. Non-stationary ablation of organic polymers. Appl. Phys. A, 1996. 62: 397.

[34]      Athanassiou A., Lassithiotaki M., Anglos D., Georgiou S., Fotakis C., A comparative study of the photochemical modifications effected in the UV laser ablation of doped polymer substrates. Appl. Surface Sci., 2000. 154-155: 89.

[35]      Theodorakopoulos, C., Ph.D. Thesis, 2005, London, U.K.: Royal College of Arts.

[36]      Theodorakopoulos, C. and Zafiropulos V., Uncovering of scalar oxidation within a naturally aged varnish layer. J. Cult. Heritage, 2003. 4: 216.

[37]      Zafiropulos, V., Petrakis J., and Fotakis C., Photoablation of polyurethane films using UV laser pulses. Optical and Quantum Electronics, 1995. 27: 1359.

[38]      Pettit, G.H. and Sauerbrey R., Pulsed Ultraviolet laser ablation. Appl. Phys. A, 1993. 56: 51.

[39]      Tornari V., Fantidou D., Zafiropulos V., Vainos N. A., Fotakis C., Photomechanical effects of laser cleaning: A long-term nondestructive holographic interferometric investigation on painted artworks. in Third International Conference on Vibration Measurements by laser techniques: Advances and Applications, SPIE. 1998. Washington: SPIE - The International Society for Optical Engineering, SPIE Proceedings 3411, p. 420

[40]      Pettit G. H., Ediger M. N., Hahn D. W., Brinson B. E., and Sauerbrey R., Transmission of polyimide during pulsed ultraviolet laser irradiation. Appl. Phys. A, 1994. 58: 573.

[41]      De la Rie, E.R., The Influence of Varnishes on the Appearance of Paintings. Studies in Conservation, 1987. 32: 1.

[42]      Zafiropulos V., Stratoudaki T., Manousaki A., Melesanaki K., Orial G., Discoloration of pigments induced by laser irradiation. Surface Engineering, 2001. 17: 249.

[43]      Luk'yanchuk, B.S. and Zafiropulos V.. The model for discoloration effect in pigments at cleaning of artworks by laser ablation. in Second International Symposium on Laser Precision Microfabrication, SPIE. 2002. Washington: The International Society for Optical Engineering. 4426, p. 326

[44]      Castillejo M., Martin M., Oujja M., Silva D., Torres R., Manousaki A., Zafiropulos V., van den Brink O. F., Heeren R. M. A., Teule R., Silva A., and Gouveia H., Analytical Study of the Chemical and Physical changes induced by KrF Laser cleaning of Tempera Paints. Analytical Chemistry, 2002. 74: 4662.

[45]      Mills, J.S. and R. White, The Organic Chemistry of Museum Objects and references therein. 1987, London: Butterworths.

[46]      De la Rie, E.R., Photochemical and thermal degradation of films of dammar resin. Studies in Conservation, 1988. 33: 53.

[47]      De la Rie, E.R., Old Master Paintings: A Study of the Varnish Problem. Analytical Chemistry, 1989. 61: 1228.

[48]      C. Theodorakopoulos, Zafiropulos V., Fotakis C., Boon J.J., Horst J. v.d., Dickmann K., Knapp D., A study on the oxidative gradient of aged traditional triterpenoid resins using "optimum" photoablation parameters. Lasers in the Conservation of Artworks -. in LACONA V Proceedings. 2005: Springer-Verlag, 100, p. 255

[49]      Stout, G.L., The Care of Pictures. 1975, New York: Dover Publications, INC.

[50]      Sutherland, K., Solvent extractable components of oil paint films. Ph.D. thesis. 2001: University of Amsterdam.

[51]      Doulgeridis, M., private communication. 1997.

[52]      Hildenhagen, J. and Dickmann K., Low-cost sensor system for online monitoring during laser cleaning. J. Cult. Heritage, 2003. 4: 343s.

[53]      Lentjes, M., Klomp D., and Dickmann K.. Sensor concept for controlled laser cleaning via photodiode. Lasers in the Conservation of Artworks -. in LACONA V Proceedings. 2005: Springer Proceedings in Physics, p. 427

[54]      Chryssoulakis, Y., S. Sotiropoulou, and V. Zafiropulos, unpublished results. 1996.

[55]      Balas, C., An imaging colorimeter for the non contact color mapping. IEEE-Transactions on Biomedical Engineering, 1997. 44: 468.

[56]      DeCruz, A., Hauger, S., Wolbarsht, M. L., The role of lasers in fine arts conservation and restoration. Opt. Photon News, 1999. 10: p. 36.

[57]      Wolbarsht, M.L., Laser Surgery: CO2 or HF. IEEE J. Quant. Electron. QE, 1984. 20: 1427

[58]      Bracco, P., Lanterna, G., Matteini, M., Nakahara, K., Sartiani, O., de Cruz, A., Wolbarsht, M. L., Adamkiewicz, E., Colombini, M. P., Er:YAG laser: an innovative tool for controlled cleaning of old paintings: testing and evaluation. J. Cult. Heritage, 2003. 4: 202s.

2.3.10          Contact Information

Vassilis Zafiropulos

Department of Human Nutrition and Dietetics

Technological Educational Institute (TEI) of Crete

Ioannou Kondylaki 46

GR - 72300 Sitia

Crete

Greece

E: zafir@dd.teicrete.gr

E: zafir@her.forthnet.gr

W: www.teiher.gr

 

and

 

affiliated with the Institute of Electronic Structure & Laser

FORTH

Heraklion

Crete

Greece

E: zafir@iesl.forth.gr

W: www.iesl.forth.gr